About us

Brutal death metal dapat berhasil menjadi genre idaman. Ini adalah style yang mengandalkan aspek-aspek tertentu untuk beroperasi pada level ter tinggi, dan kemudian dapat dinikmati bahkan oleh orang luar yang tidak menyukai sub-genre ini. Come to think of it, this almost sounds like early 90's brutal death generated by an AI algorithm. The slam sections are obvious and just don't groove, the single note riffage is consistently generic. It's the opposite of organic. If the band, at very least, could've provided a decent technical facet to this, as tedious as it sounds it at least could've compensated for its one-dimensional flatness. But, no: it focuses on tempo changes to grant a semblance of mobility and complexity to itself. There's no joy on this. It sounds like a job done rather than an artistic endeavor, after a careful reading of instructions, ticking all the boxes. There's no enthusiasm coming out of this, and lending a quick ear to the version of this done well, faith in the style is immediately restored. conformed by those two subgenres mentioned before. Suffocation meets Integrity. We have brutal, faster than life parts with blast beats all over; but also we have hardcore parts with beats and slow and heavy breakdowns that lay somewhere in between. Pinch harmonics play an important role on the band's sound, as well as sweep picking stuff that sounds pretty technical. The vocals are not favoured by the recording either but you can hear the depth and power of those emotional growling and gutturals. The sectional composition of most of these songs is also fairly dynamic, in spite of all the tech. elements being tossed around. The breakdown sections mimic the well known NYHC model, albeit in a somewhat more meandering fashion, and are the only real point of change up to be found from the mechanical speed and blast sections.